Just the other day, a local modeler, Don Marenzi, let me know about something he had noticed in a YouTube video. It involved some of my layout’s waybills, in a peculiar context, as I’ll explain in this post.
The video is an interesting one, about the massive derailment and HAZMAT incident at Mississauga, Ontario in 1979. It is at this link: https://www.youtube.com/watch?v=aJfFhMkwCkM . It uses TV, newsreel and press video and still photography, and describes the regulatory events that followed. In particular, the point is discussed that in 1979, first responders had no easy way to identify the cargoes of cars involved in a derailment.
In that discussion, some freight car waybills are briefly on the screen, at minute 21:37, as you see in the screen capture below.
These, as readers of this blog will recognize, are waybills from my layout, which do happen to describe Canadian cars, but not only is neither one a tank car, one is even a refrigerator car. I have written a number of posts about cross-border traffic, and these waybills are from one of them, posted in 2020. You can see it at: https://modelingthesp.blogspot.com/2020/10/waybills-part-76-more-on-cross-border.html .
For clarity, I show below the waybill image from that post, clearly the original of the image shown above, though truncated top and bottom, and left edge of the pink one. Understandably, there is no credit to me or this blog
I have no idea why they chose non-tank car waybills, nor why they cut off the names of the issuing railroads (at several places in the video, they refer to CP cars as CN or vice versa, so they might not have been as clear on this point as one might wish). But probably they Googled “Canadian waybill” or some such, and used what they got. And it’s shown extremely briefly; many viewers would likely not even realize that those were waybills that went flashing past.
So perhaps, in Andy Warhol’s phrase, that is my “15 minutes of fame,” though sadly, it’s in fact only a small fraction of a second. I guess you have to take what comes along.
Tony Thompson



























